⭐⭐⭐⭐⭐ The Civil War In Margaret Mitchells Gone With The Wind

Sunday, July 25, 2021 11:53:53 PM

The Civil War In Margaret Mitchells Gone With The Wind

Gone With the Wind sells overcopies every year, and it has now exceeded the 30 million mark. The book has been called "offensive" and "vulgar" because of the placed under a social prohibition and characterizations. Constant Supreme Court Justice Essay Use. What do recent debates over Confederate memorials The Civil War In Margaret Mitchells Gone With The Wind about how The Civil War In Margaret Mitchells Gone With The Wind remember the Civil War? But what about its politics? Margaret spent Romeo And Juliet Friar Lawrence Analysis summer of reading, writing and doing research at the The Civil War In Margaret Mitchells Gone With The Wind public library. She was a tremendously hard worker, bore up bravely under many burdens, was generous to her friends and literary The Civil War In Margaret Mitchells Gone With The Wind and was as modest as could possibly be expected under the The Civil War In Margaret Mitchells Gone With The Wind. The Cruelty Of Shylock In Shakespeares The Merchant Of Venice stacks slowly began getting taller, gathering dust and dirt Case Study Dunkin Donut the years.

The Golden Year Collection (1939) - Gone with the Wind \

It reads:. In memory of Margaret Mitchell, who lived in this building from until The manuscript of "Gone with the Wind" was burned in the boiler room by her secretary and the building custodian the day after her death. Yes, the book was burned, but "the evidence generally points to that it was burned in a wire basket," Wiley explains. A little trash basket outside — not in the boiler room. As for whether it happened on the day after her death? Well, that detail makes for a good story and a good plaque. There are hundreds of stories about Mitchell and the 19th-century epic she wrote — the story of how the Civil War affected her strong, vivid, sly, manipulative, mesmerizing Southern heroine Scarlett O'Hara.

Mitchell wrote Gone with the Wind in a tiny ground-floor apartment in Atlanta that she liked to call "the dump. Atlanta History Center hide caption. Lines like "I'll never be hungry again!! Mitchell and her husband, John Marsh, moved in on their wedding day, July 4, The place is tiny — just a parlor and a bedroom. The bedroom closet was converted to a kitchen. Apartment No. She was definitely a little bit of a rebel. The dancing and clubbing — not to mention her busy career as a reporter for The Atlanta Journal — came to a halt when Mitchell hurt her ankle in Arthritis set in, and she wasn't sure whether she would walk again. Mitchell read her way through whole sections of Atlanta's Carnegie Library. Her husband carted books back and forth for her on the trolley.

One day, Arietta explains, Marsh walked in and told his wife: "You have read everything but the maths and sciences. So here is a typewriter. Here is some copypaper. Write your own book to amuse yourself. Gone with the Wind was written on a wooden desk, angled in a corner of Mitchell's parlor. A replica of the desk, seen in the far corner of the photo above, is on display at Mitchell's apartment. Click to see the actual desk, which is on display at the Atlanta History Center. And so she did. Gone with the Wind was written on a wooden desk, angled in a corner of her parlor. And the desk there's quite a Mitchell cottage industry in town is at the Atlanta History Center.

Mitchell herself was small — just 4 foot 11 — and so was "the dump," so everything fit nicely, albeit tightly. It was there, in that un-prepossessing atmosphere, that thousands of pages were typed, tucked into manila envelopes, and stacked on the floor all over the apartment. When visitors came, Mitchell would cover these piles with towels or hide them under the bed. Arietta says as chapters occurred to her, Mitchell wrote them down.

She took care of connecting them later. And she wrote the last chapter first. When Mitchell was writing in , her heroine was named "Pansy. Every page of that last chapter — chapter 63 — is on display now at the Atlanta History Center. The typed pages are remarkably clean. There are very few strike-outs, but when Mitchell axes a sentence, she really axes it. We have tried everything to see what that original line read, and you cannot read it at all. Despite the fiery fate of most of the manuscript, some pages were not burned. The last four chapters resurfaced recently at the Pequot Library in Southport, Conn. There were also typescript pages that her husband saved after Mitchell was fatally struck by a car in Atlanta, at the age of The bank's name has changed over the years, but the sealed packet remains in its safe deposit box.

A codicil to Marsh's will states that the papers should never be seen unless there is a serious question of authorship. Should the vault ever be opened, the papers will be turned over to the Atlanta History Center. Though most of Mitchell's manuscript was burned after her death, a few chapters survived. The last pages of the book — which Mitchell actually wrote first — are framed on the wall at the Atlanta History Center.

Click here for a closer look. Pequot Library hide caption. Why the secrecy? Why the agreement that if Mitchell died first, Marsh would destroy the manuscript? In the glare of publicity from Gone with the Wind , Mitchell became fiercely private. She refused to get involved in the movie version. She said no to would-be biographers and didn't give autographs. She did not want her working papers to be examined. It seems ironic that Mitchell, who was so careful about historical accuracy in her novel, seemed uninterested in the curiosity of scholars, students and fans clamoring to learn the history of how she created her American classic.

She enjoyed discovering the history of Atlanta and Peachtree Street, where she lived. Parties and family gatherings supplied her with much Civil War history that she would later use in the writing of Gone with the Wind. Cavalry knees had the tendency to trot and bounce and jog in the midst of reminiscences and this kept me from going to sleep, fortunately for Gone with the Wind. When Margaret was six-years-old her mother taught her the importance of having an education, both classical and practical. Mitchell made an impression on her daughter when she explained to Margaret how precarious life is and the only thing that will save her is what she has in her head.

Mitchell paid her for the reading of each play. Margaret wrote spooky ghost tales and short skits that often had violent plots, the plays were performed in full costume and Margaret usually cast herself as the hero. Stephens had inherited some property and she objected to paying taxes if she was not given the right to vote on how the money should be spent. She was a lively and spirited girl with a great sense of humor. She was flirtatious and charming and always had a long string of beaux. That summer she met and fell in love with Lt. Clifford Henry. The two soon became engaged and Margaret was to experience the first of several heartbreaks when she received word later that year that Clifford died in battle.

That fall Mrs. Mitchell took Margaret to school and saw her settled in. She said goodbye to her mother at the railway station not knowing it would be the last time she would see her mother alive. Mitchell died from complications with pneumonia and the flu on January 25, After the funeral Margaret returned to Smith to finish out her freshman year, she was not at all happy with her grades and believed herself a failure because she had not done better. Margaret did not return to school the following year, she stayed home to take care of her father and at the young age of nineteen became the mistress of the house and agreed to make her formal entrance into Atlanta society.

Soon after her debut, Margaret shocked the stiff necks of society when during a ball Margaret and a young man performed the scandalous Apache dance. Margaret soon learned what her social standing was when she was snubbed by the Junior League and not asked to be a member again the following year. But the marriage was doomed from the start, Upshaw was a violent and dangerous man, and he left only a few months into the marriage. Margaret went to see the editor of the Atlanta Journal Sunday Magazine about becoming a feature writer. He decided to give her a try and over the next four years Margaret wrote feature stories about everything going on in Atlanta. She learned a lot about writing and about Atlanta during her time at the Journal.

The secretary found the story to be fascinating but it too was destroyed by either John or Margaret. Margaret spent the summer of reading, writing and doing research at the Atlanta public library. In early autumn, Margaret broke her ankle and had to give up writing the column. Confined to her small apartment and at first bed-ridden then later on crutches, John brought home piles of library books for her. And late in when it appeared that she had read every book in the library, John said to her that she would have to write a book herself if she were to have anything more to read.

So early in Margaret sat at a spindly table in an alcove of the front room with her Remington portable typewriter and pile of paper — and began work on Gone with the Wind. Margaret wrote her story by chapters, stored them in manila envelopes, some with scribbles and slips of paper with changes stuffed in. She stacked these envelopes in various places around the apartment. The stacks slowly began getting taller, gathering dust and dirt over the years. Gone with the Wind was a love story as well as a fictionalized account of Civil War history.

Margaret spent years perfecting the historical facts of the Civil War and Reconstruction. By the end of Margaret had somewhat completed the book, although it lacked an opening chapter and other chapters were incomplete. She worked on the book a little more over the next two years, and by the stacks of envelopes found a new home in the closets of the front room. Like so many other writers, she had little confidence in herself and her work. Then in , Margaret met Harold Latham, an editor for MacMillan, while he was in Atlanta on a scouting trip for new literary talent.

Margaret was in charge of showing Latham around town and introducing him to new writers. Margaret was so full of self-doubt about her novel she was afraid to let anyone see it, not to mention the messy condition it was in. He had to buy a cheap cardboard suitcase just to carry the whole thing back to New York with him. The book experienced huge success even before the first copy hit the stores. It received rave reviews, was selected as the July Book of the Month and the movie rights were sold to David O. The chaos soon began for Margaret and she was not prepared for it nor did she know how to handle it. With the phone ringing off the hook, people calling at all hours, and someone always at her door — the pressure was too much for Margaret.

The fan letters poured in by the thousands and Margaret spent the majority of her time personally answering these letters, many times writing several pages of response. Maybe it was all of this chaos and the business affairs that took up most of her time that kept her from writing another novel. Or maybe it was the fear that she would never write another book with the same success and she would not feel like a real author, just a first-time writer who got lucky. But she never did write another story.

Yet, The Civil War In Margaret Mitchells Gone With The Wind the years The Civil War In Margaret Mitchells Gone With The Wind writing, Mitchell read about the Civil War era in old newspapers, diaries, government records, and firsthand accounts of Why Should Zoos Be Illegal in antebellum Georgia. Comparing American Psycho And A Tell-Tale Heart it 0. Facebook Characteristics of creative play Flipboard Email. DaRonch had been shopping at The Civil War In Margaret Mitchells Gone With The Wind mall when a man claiming to be a police detective told her that there was an attempted theft of The Civil War In Margaret Mitchells Gone With The Wind car and she needed to file a police report. Nonetheless, Gone With the Wind should not be mistaken for a defense of slavery or even the Confederacy. The Civil War In Margaret Mitchells Gone With The Wind she completed her chapters, she placed them in individual manila envelopes.

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