⒈ Isn T It Pretty To Think So

Wednesday, July 28, 2021 4:35:55 AM

Isn T It Pretty To Think So



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Jordan Crittenden - Isn't it Pretty to Think So? (Official Audio)

It was hot and bright. Up the street was a little square with trees and grass where there were taxis parked. A taxi came up the street, the waiter hanging out at the side. I tipped him and told the driver where to drive, and got in beside Brett. The driver started up the street. I settled back. Brett moved close to me. We sat close against each other. I put my arm around her and she rested against me comfortably. It was very hot and bright, and the houses looked sharply white. We turned out onto the Gran Via. He raised his baton. The car slowed suddenly pressing Brett against me.

Oops, we got a little carried away there. This is the ending to The Sun Also Rises. Or else. We handpicked the perfect Lost Generation snippet for your reading pleasure, ladies and gents: the most depressing moment of the novel that introduced the world to the concept of the Lost Generation. The Sun Also Rises even has the quote "You all are a lost generation" as its dang epigraph. What are the components of the lost generation again? In parallel stories set in Denmark and Africa, it considers characters who act with cruelty and those who deliberately seek to act with empathy, and poses some moral choices for those who fall somewhere on the middle of the spectrum.

Elias is a cute kid with braces, and when he's picked on by the school bully, Christian defends him in a sudden and bloody way. Now pull back a step to their fathers. Elias' dad is Anton Mikael Persbrandt , who commutes between Denmark and an unnamed African country where he operates a free medical clinic. To his care come victims of all sorts, including women savagely sliced by the powerful local Big Man Evans Muthini. Christian's dad is Claus Ulrich Thomsen , whose wife has died of cancer and left Christian resenting his father. Anton is often in Africa, and Claus is often in London. The two boys bond. One day when Anton is home, he and Elias see a foul-tempered local man named Lars Kim Bodnia pushing around people who innocently offended him.

Anton steps in, and Lars slaps him. Thinking this over, Anton decides to set an example to his son, and takes him to Lars' auto shop for what is intended as a nonviolent confrontation. Lars is incapable of such a thing. Christian, very inward, very intense, earlier defended Elias against the schoolyard bully and now devises a plan for them to gain revenge against Lars. Meanwhile, back in Africa, Anton's clinic receives an emergency patient: Big Man, with an ugly, festering leg wound. No more about the plot. What Susanne Bier does is cut between all of these stories to contrast the kinds of people who are instinctively cruel and those who are instinctively kind.

The outcomes of the parallel stories are unpredictable although they follow a certain logic. The African events in particular don't fit organically into the rest of the film, playing more like a contrived contrast. The story of the boys works well they're both good actors , and their fathers are well-drawn and seen with sympathy. There's also an estranged mother who is drawn into the unhappiness.

There are two strong stories here, in Africa and Denmark. Either could have made a film. Intercut in this way, they seem too much like self-conscious parables.

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